![]() It stars Andy Serkis as Caesar, alongside Woody Harrelson and Steve Zahn. It is the sequel to Dawn of the Planet of the Apes (2014) and the third installment in the Planet of the Apes reboot franchise. Thanks for lifting me up today.War for the Planet of the Apes is a 2017 American science fiction film directed by Matt Reeves from a screenplay by Reeves and Mark Bomback, and produced by Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silver. There's a joke I like to use whenħ) talking about this stuff, Jar Jar walked so Gollum could run. People like John Knoll, Rob Coleman and scores of othersĦ) who I worked with for two years after principal photography was ended to bring these movies to you. ![]() #Planet of the apes motion capture gif codeTo deny Jar Jar's place in film history is to deny the hundreds ofĥ) VFX technicians, animators, code writers and producers their respect. Jar Jar helped create The workflow, iteration process and litmus test for all CGI characters to this dayĤ) on some days the code was being written in real time as I was moving. As much as we actorsĢ) are on the front line when it comes to the success or the failure of characters we play, what's more important is the accomplishment ofģ) bringing the work to the screen. Jar Jar is bigger than just me or my performance. No disrespect to the great ġ) thread: Thanks for the love today especially the Star Wars fans. #Planet of the apes motion capture gif how toI don’t know how to retweet this and not sound bitter, but I feel I have been forgotten. ![]() In a Twitter thread, Best corrected Serkis’ revisionist history, and in the process showed that it’s not that difficult to give credit to one’s creative collaborators: That assertion, as so many other Serkis statements, is entirely false. Serkis’ accompanying narration suggests that nothing significant happened with the technique during that two-decade gap except for the advancement of mo-cap in videogames. Best likely wouldn’t have become entangled in this debate except that in the video, Serkis not only attempted to distort the production process of his own films, but to rewrite the entire history of performance capture, erasing important people from the development of the technique.Įarly on in the video, a visual timeline of the development of motion capture is displayed that jumps from motion capture in medical industry usage circa 1983 to The Lord of the Rings in 2001. The latest Wired video drew a rebuke from another unlikely source: Ahmed Best, the actor who performed Jar Jar Binks in Star Wars: The Phantom Menace. In the past, Serkis’ sole authorship has been questioned by Randall William Cook, the animation supervisor on The Lord of the Rings trilogy, who called any suggestion that Serkis was entirely responsible for the performance of Gollum a “ misrepresentation of the facts.” ![]() While there is no way to compel Serkis to stop his self-mythologizing deception, there is one solution and that is for the artists themselves to hold Serkis accountable.Įach time Serkis has neglected to credit his creative collaborators, more and more of them have spoken out. It is both a remarkable creative and technical achievement, for which many authors deserve credit. What is made abundantly clear in that piece is that, although the essence of the performance may belong to Serkis, the final character and performance that appears onscreen represents the creative contributions of dozens of digital artists and animators. Cartoon Brew, in fact, published an in-depth piece last summer that looked at Weta Digital’s production process for War for the Planet of the Apes. Instead, he makes the bizarre new claim that animators are part of the post-production process, saying, “The task in post-production is always going to be that ability to take the actor’s performance and actually interpolate that performance, while also retaining it but also putting it onto the physiognomy of an ape.”īoth “digital makeup” and “post-production” are deliberate misrepresentations of what happens after Serkis pulls off his performance capture suit. In the latest video, he goes one step further, completely eliminating animators from the film’s production process. In the past, he has used false analogies, like comparing the work of animators to “ digital makeup,” implying that animators only enhance/touch-up his performance in the manner of a traditional makeup artist, but don’t actually contribute to a character’s creation. ![]()
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